Following on from the acclaimed Just Looking and Still Looking, Always Looking treats readers to a series of elegant and sensitive essays on art, and includes writing on a comprehensive array of subjects, both American and European. In The Clarity of Things, Updike looks closely at Copley, Homer, Abstract Expressionism, and Pop, in order to explore what is 'American' in American art. From here he moves to masterpieces of American and European art of the nineteenth and twentieth centuries — from the sublime landscapes of Frederic Church and the series paintings of Monet and Degas, to the verbal-visual puzzles of Magritte and the steely sculptural environments of Richard Serra. With more than two-hundred full-colour reproductions, Always Looking is an invitation to see the world afresh through the eyes of a matchless connoisseur.